Elite Force (2026)

Elite Force poster
★ 7.8/10 67 votes
DirectorJulien Leclercq, Sylvain Caron
WritersJulien Leclercq, Sylvain Caron, Elsa Vasseur
CastTomer Sisley as Sylvain Caron, Guillaume Gouix as Cédric, Philip Schurer as Victor/Terrorist, Nicolas Wanczycki as Alexis Mayard, Leanna Chea as Tanya
Genre
Country
Release Date2026-07-22
Original TitleGIGN
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Elite Force (2026) is a gritty, high-stakes procedural that demands your attention

Elite Force is a show with extensive levels of tactical nuance that is able to combine the rigors of a crime drama with the action genre. Rather than focusing on the normal crime drama genre tropes, Elite Force focuses on the internal struggles of the elite unit and not the external threats. This is an elite level show that not a lot of others can match. While the show can get dark at times, it is well worth the watch.

Tactical Authenticity and Visual Grit

Pierre-Yves Bastard, who is a masterful cinematographer, has created a unique visual identity for the show using claustrophobic, handheld shots and framing that puts the viewer inside the chaos of a rush. The sequence shots are short and disorganized to serve a purpose of movement and efficiency rather than being done for effect. Because of his lack of stylized flair, the violence feels visceral and real, rather than being choreographed. The series truly shines in the downtime after the missions, as Tomer Sisley plays a character named Sylvain Caron, who has a performance of stillness. He characterizes a man whose physical reflexes are sharp in contrast to the emotional stress of the mission to loss of his team members

Structural Limitations and Narrative Pacing

There are some problems with the representation of Victor in the series and how the writing attempts to align his character with the emotional arc of the rest of the team. Even though Philip Schurer has a menacing presence, the writing often relies on tired genre clichés to explain the motivations of the terrorist, and that disconnect is evident to the audience. The work of the police is done in the real world and the job of the villain, in this case, is going to be done in a more exaggerated fashion. These distinctions are going to be disorienting especially for newer members of the audience.

A lot of the viewers may say the pacing is uneven, and it is especially noticeable in the episodes that focus on more internal character struggle. The character study on Cédric and Alexis Mayard adds depth to the team, and most of the main plots are interesting, however, these subplots tend to focus on internal character struggle instead of the main goal in the story which is the high-stakes mission.

Defining the Target Audience

If you’re into shows that are driven more by the details of the situation than the emotions of the participants, this show is for you. The show doesn’t insult your intelligence. It treats viewers as adults by not sending them on a wild goose chase of irrelevant explanations and exposition. The show has a unique way of incorporating different layers of tactical language into the different levels of command.

The show is quite ruthless. It presents complex and often morally ambiguous situations. The show’s more intellectual and less optimistic approach to America’s law enforcement and criminal justice systems may not be for everyone. It will likely only appeal to people who are more into the gritty side of things.

What works

  • Visceral, handheld cinematography that emphasizes tactical realism
  • Tomer Sisley's understated, weary lead performance
  • Efficient, non-spectacle-driven action choreography

What falls short

  • Uneven pacing during character-focused subplots
  • Antagonist motivations feel thin compared to the grounded police work

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